‘The King Is Half Undressed,’ Jellyfish
If life were fair and people bought records because the songs were good, Jellyfish would have been the next Beatles. Instead, after two near-perfect albums, infighting broke out among the members, and history has all but forgotten them. (See a more detailed history of Jellyfish.)
There are a few small hundred true believers, though, who still recognize the group’s talent and continue to wax poetic about the old days and look for any pale imitators that they can latch on to. The group is credited with launching a small power pop revival: groups such as the Merrymakers, the Nines, Mike Viola and the Tories can attribute their success to the Jellyfish mailing list.
Now the next Beatles are never destined to reunite again, with lead singer Andy Sturmer content with writing children’s music in Japan, Tim Smith playing bass for Sheryl Crow, and Roger Joseph Manning Jr. and Jason Falkner churning out solo albums to tease Jellyfish fans.
But we still have those two albums. Two albums that remind us of pop perfection. “The King is Half Undressed,” from Jellyfish’s first album, Bellybutton, typifies what the band was and could do with music. They use a harpsichord, rare chord progressions (augmented triads!), delicious harmonies and a totally unexpected bridge in which the harmonies take over and the key changes from a minor to a major. It’s like a separate movement to a musical suite.
It was like nothing pop music had seen since, well, the Beatles, and although the song reached No. 39 in the U.K., it couldn’t crack the U.S. Hot 100.
The video – well, I can’t explain it. See for yourself. It’s offbeat, like the group, but it shows their innovation and leaves you with the feeling that you’ve experienced something special.